Getting to Know the Culture Industry

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Thomas Hart Benton, “Hollywood” (1937-1938). Image Credit: Nelson-Atkins Museum of Art.

A couple years ago in graduate school at the University of Maryland, I took a course on history and contemporary theory. It was pretty much a combination of philosophy, historical theory, and historiography. A difficult class, but I certainly learned a lot.

One of the projects in the class, as I can remember it, was to design a lecture for undergraduate students about one aspect of historical theory and create an accompanying book list for reading. Given my interest in popular culture and business history, I decided to write about the “Culture Industry” a theory that came from Frankfurt School historians/theorists in the mid 20th century (see also my blog post on War of the Worlds for more on this theory). I wasn’t able to give this lecture to an actual group of students, but I did film it and posted it on Youtube. If you’d like to see the lecture, click here.

A few people commented on the video saying that they’d like to see the slides, so here is a link to my power point: The Culture Industry_presentation.

If you’re interested in learning more, this is my recommended Culture Industry reading list, complete with a variety of primary and secondary sources that explore the commodification of leisure and entertainment from a variety of angles: Continue reading “Getting to Know the Culture Industry”

A Shopkeeper and a Historian

“Whilst in ordinary life every shopkeeper is very well able to distinguish between what somebody professes to be and what he really is, our historians have not yet won even this trivial insight. They take every epoch at its word and believe that everything it says and imagines about itself is true.”

-Karl Marx and Frederich Engels, The German Ideology, 1845.

Normally if you ask me which historians have influenced me the most, I would give you a list of scholars like Studs Terkel or Warren Susman who have written fascinating books and found helped me understand history and historical sources in profoundly different ways. But after encountering this quote from Marx and Engels the other day, I have to add an anonymous and imaginary shopkeeper to the top of my list. Continue reading “A Shopkeeper and a Historian”

Mrs. Ella Watson

“My first photograph of [Watson] was unsubtle. I overdid it and posed her. Grant Wood style, before the American flag, a broom in one hand, a mop in the other, staring straight into the camera… I follower her for nearly a month- into her home, her church, and wherever she went.”

“She began to spill out her life’s story. It was a pitiful one. She had struggled alone after her mother had died and her father had been killed by a lynch mob. She had gone through high school, married and become pregnant. Her husband was accidentally shot to death two days before their daughter was born. By the time the daughter was eighteen, she had given birth to two illegitimate children, dying two weeks after the second child’s birth. What’s more, the first child had been stricken with paralysis a year before its mother died.”

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Washington, D.C. Government Charwoman. 1942. Library of Congress.
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Washington, D.C. Government Charwoman. 1942. Library of Congress.

Continue reading “Mrs. Ella Watson”

“Ask What You Can Do For Your Country:” The History of an Inaugural Sentence

“And so, my fellow Americans: ask not what your country can do for you- ask what you can do for your country.”

A short yet iconic line. I bet you just read it in Kennedy’s voice too (I did). On that cold and gloomy January day, the president broke the ice with a message of hope and excitement that inspired millions of Americans and promised a fresh new start for the country. These words are just the tip of the iceberg, and if we dig a little deeper we can use this short sentence to learn a whole lot more about civics, politics, and the changing role of individual Americans in society from the Civil War to today.

Several decades after the inauguration, Bill Moyers reflected on Kennedy’s inspirational rhetoric and personality: “I remember John Kennedy not so much for what he was or what he wasn’t but for what he empowered in me. We all edit history to give some form to the puzzle of our lives, and I cherish the memory of him for awakening me to a different story for myself. He placed my life in a larger narrative than I could ever have written. In his public voice John Kennedy spoke to my generation of service and sharing; he called us to careers of discovery through lives open to others…It was for us not a trumpet but a bell, sounding in countless individual hearts that one clear note that said: “You matter. You can signify. You can make a difference.” Romantic? Yes, there was a romance to it. But we were not then so callous toward romance.” According to Moyers, what Kennedy brought a new perspective on an American’s individual role in improving their society. To the young Kennedy supporter, this message rang much louder and clearer than anything he had ever heard before.

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Kennedy delivered his famous address on January 21, 1961. Image credit: John F. Kennedy Presidential Library.

You may be interested to know that although Kennedy’s inaugural call to action sounded new and different from his political contemporaries, it was actually the result many years worth of experience and thinking. Arthur Schlesinger Jr., eminent historian and special assistant to President Kennedy recalled that: “This thought had lain in Kennedy’s mind for a long time. As far back as 1945 he had noted down in a loose leaf notebook a quotation from Rousseau: “As soon as any man says of the affairs of the state, What does it matter to me? the state may be given up as lost.” In his address accepting the democratic nomination in 1960, he said of the New Frontier, “It sums up not what I intend to offer the American people, but what I intend to ask of them.” On September 5 at Cadillac Square in Detroit, Kennedy departed from his prepared text to say “The new frontier is not what I promise I am going to do for you. The new frontier is what I ask you to do for our country.” He continued to polish the thought in the back of his mind until he was ready to put it in final form for the inaugural address.” Continue reading ““Ask What You Can Do For Your Country:” The History of an Inaugural Sentence”

Richard Silvester and Maryland Agricultural College: “A School for the Farmer’s Boy”

Do you think that farming is “the loveliest of all professions on the face of the earth?” Would you argue that agrarian work is “the vocation on which all prosperity rests?” Or would you be so bold as to say that working on a farm “brings men into contact with that mysterious principle of life, that essence of God in the world?” If you answered yes to any of these, then you should have gone to the Maryland Agricultural College in 1895! This small land-grant college that eventually became the University of Maryland, College Park (my alma mater!) was originally a school devoted to training farmers and using agriculture experimentation to support the state’s farms. In order to really understand the college’s role in agriculture in the late 1800s and early 1900s, I think the best thing to do to get acquainted with Richard Silvester, the 16th president of the school.

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Richard W. Silvester (1857-1916). Image Credit: 1900 Reveille.

Continue reading “Richard Silvester and Maryland Agricultural College: “A School for the Farmer’s Boy””

Yearbook Ephemera Fun

You have read our modest production;
We trust it appeals to all.
Now read our advertisers,
And go to see them all.

I always enjoy reading old yearbooks, trade literature, and other “small run” publications from the past. Especially before the 1950s, the writers and editors of these works were really quite clever in their writing and it makes for a really fun and interesting time. It feels like the writers are free to be a little more honest and less scripted than usual. I wonder if part of the reason why the writer’s personality can really come out is because editing isn’t quite as rigorous or serious as it would be for a major publication that is circulated to a large group of people. Or maybe its because these types of publications aren’t created for the money and there is a friendlier relationship between writers and readers…Today I was going through old issues of the “Reveille,” yearbook for the Maryland Agricultural College (University of Maryland, College Park today). Here’s a neat little drawing that I found on one of the last pages, before the patron ads:

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Image Credit: 1913 Reveille
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Truitt was one of two “Humorous Editors” on the yearbook staff. Image Credit: 1914 Reveilee

I flipped through the yearbook and it looks like our clever poet (and perhaps artist?) was R.V. Truitt of the Class of 1914. According to his senior biography, he was a biology student from Snow Hill, Maryland. Involved in a dozen campus activities from yearbook to lacrosse and the Programme Committee on Junior Prom. He was also “quite a military man” and was a captain in the college’s military cadet program. “Although it took the Faculty a long time to realize Truitt’s ability,” his fellow students confessed the students were not so slow, judging by the positions of responsibility they have entrusted to him. We believe that his ability will place Truitt on top in his future undertakings.” Whatever happened to Truitt, I’m sure his creativity and clever writing served him well. Click here to read his full senior entry! Luckily, the University of Maryland University Archives has digitized most of their yearbooks, you can find more of them here. Happy reading!

A Fiddler, a Poet, and a Graveyard: The Spoon River Anthology’s Happier Poetry

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“Fiddler,” early 20th century. Image source: Smithsonian American Art Museum

The Earth keeps some vibration going
There in your heart, and that is you.
And if the people find you can fiddle,
Why, fiddle you must, for all your life.
What do you see, a harvest of clover?
Or a meadow to walk through to the river?
The wind’s in the corn; you rub your hands
For beeves hereafter ready for market;
Or else you hear the rustle of skirts
Like the girls when dancing at little Grove.
To Cooney Potter a pillar of dust
Or whirling leaves meant ruinous drouth;
They looked to me like Red-Head Sammy
Stepping it off, to “Toor-a-Loor.”
How could I till my forty acres
Not to speak of getting more,
With a medley of horns, bassoons and piccolos
Stirred in my brain by crows and robins
And the creak of a wind-mill- only these?
And I never started to plow in my life
That some one did not stop in the road
And take me away to a dance or a picnic.
O ended up with forty acres;
I ended up with a broken fiddle-
And a broken laugh, and a thousand memories,
And not a single regret.

In 1914, poet Edgar Lee Masters anonymously published a series of poems that were later called “The Spoon River Anthology.” I got the book as a Christmas present and am enjoying reading them. The poems are free-verse and are written as epitaphs of deceased people in the fictional town of Spoon River. But it wasn’t all made up. Masters himself lived in a small town in rural Illinois and used his neighbors as inspiration for his poetry, sometimes barely even changing peoples’ names. Real-life banker Henry Phelps was changed to Henry Phipps. Henry Wilmans became Harry Wilmans. Continue reading “A Fiddler, a Poet, and a Graveyard: The Spoon River Anthology’s Happier Poetry”