The Earth keeps some vibration going
There in your heart, and that is you.
And if the people find you can fiddle,
Why, fiddle you must, for all your life.
What do you see, a harvest of clover?
Or a meadow to walk through to the river?
The wind’s in the corn; you rub your hands
For beeves hereafter ready for market;
Or else you hear the rustle of skirts
Like the girls when dancing at little Grove.
To Cooney Potter a pillar of dust
Or whirling leaves meant ruinous drouth;
They looked to me like Red-Head Sammy
Stepping it off, to “Toor-a-Loor.”
How could I till my forty acres
Not to speak of getting more,
With a medley of horns, bassoons and piccolos
Stirred in my brain by crows and robins
And the creak of a wind-mill- only these?
And I never started to plow in my life
That some one did not stop in the road
And take me away to a dance or a picnic.
I ended up with forty acres;
I ended up with a broken fiddle-
And a broken laugh, and a thousand memories,
And not a single regret.
In 1914, poet Edgar Lee Masters anonymously published a series of poems that were later called “The Spoon River Anthology.” I got the book as a Christmas present and am enjoying reading them. The poems are free-verse and are written as epitaphs of deceased people in the fictional town of Spoon River. But it wasn’t all made up. Masters himself lived in a small town in rural Illinois and used his neighbors as inspiration for his poetry, sometimes barely even changing peoples’ names. Real-life banker Henry Phelps was changed to Henry Phipps. Henry Wilmans became Harry Wilmans. Continue reading “A Fiddler, a Poet, and a Graveyard: The Spoon River Anthology’s Happier Poetry”